Sherif Said's 'Prettier than Naglaa': A Novel That Brings Egypt's Lost Past Back to Life
In a literary scene increasingly hungry for works that celebrate Egyptian identity and memory, novelist Sherif Said's latest work, Prettier than Naglaa, stands as a profound testament to the power of storytelling. Recently discussed at Diwan Bookstores' Heliopolis branch, the novel has captured the attention of critics and readers alike, offering a deeply human exploration of the Gulf War's aftermath through the eyes of an Egyptian family. It is a work that resonates with the nation's enduring spirit, weaving together history, culture, and personal memory into a tapestry that is both intimate and grand.
The discussion, held on a Wednesday evening, brought together an esteemed panel of Egypt's intellectual elite. Haytham Al-Haj Aly, professor of literary criticism at Helwan University and former head of the General Egyptian Book Organization, joined forces with journalist Sayed Mahmoud. The event was skillfully moderated by Mohamed Abdou Badawi, a prominent media figure, academic, and current head of the Maspero Center for Studies. Their collective analysis underscored the novel's significance within the broader context of contemporary Egyptian literature.
What is the story behind 'Prettier than Naglaa'?
At its core, Prettier than Naglaa follows Naglaa Bahaa El-Watan, an Egyptian journalist living in Paris whose life is upended when a television report about the Gulf War reveals an old photograph of herself, taken 35 years earlier without her knowledge. This single image becomes a portal, transporting her back to a childhood shaped by war, migration, and the quiet resilience of Egyptian families abroad. The novel masterfully navigates between Naglaa's present-day existence and the memories of a period she had long left behind.
Said's inspiration for the story is deeply personal. As a child, he traveled to the Gulf with his father, a teacher, and witnessed firsthand the environment that emerged from the war and the experiences of Egyptian families who had relocated from Cairo. This contrast between the vibrant cultural life of Cairo, with its theaters, cinemas, and songs, and the more enclosed world of the Gulf, became a central theme. Said's interest lies in how such transitions affect Egyptian children and how migration between different worlds leaves psychological traces that extend across generations.
Why is this novel a celebration of Egyptian cultural memory?
The novel has been lauded as a